TK's staging site |
By *Audubon members say beach nourishment harmful *Waterways protection plan surfaces: Effort started in 1999 yields recommendations for cleaner water *Close call at beach, Swimmer saved from rip current
Tatsuya Nakatani BIOGRAPHY: Born in Kobe Japan 1970, raised in Osaka. He has resided in the USA since 1995 and now bases himself in New York where he is recognized as a key player in the improvised music scene. His elements of percussion instrument are Drum set based Orchestration percussion kit, Bowed Gong, Cymbal, Singing Bowls, Various sticks and Drum set. He stands between the MUSIC categories, genre and cultures, Experimental, Jazz, FreeJazz, Rock, etc. Many voices come from his approach of creation. Besides live performances, he also provides sound, sound design for Television, Film, collaborations with Dancers and artists. PAST COLLABORATION WITH: Peter Kowald, Peter Brotzmann, Steve Swell, Roy Campbell, Sabir Mateen, Otomo Yoshihide, Tatsu Aoki, Xu Feng Xia, Kazuhisa Uchihashi, Yasuhiro Yoshigaki, Ken Vandermark, Billy Bang quintet w/Frank Lowe, Assif Tsahar, Cooper-Moore, Jim Baker, Josh Abrams, Miya Masaoka, Le Quan Ninh, , Gunda Gottschalk, Masashi Harada, Mat Maneri, William Parker, nmperign, Tim Barnes, Taylor Ho Bynum, Jane Wang, Michael Zerang, Kyle Bruckman, Taku Unami, Jack Wright, The Psychic Paramount. Dance/movement with Zack Fuller, Anika Kristensen, Claire Barratt, Chris Ferris, Ximena Garnica and etc, Musician, Artist and Filmmakers. DISCOGRAPHY: Up coming New releases in 2004: 2003 “ come Sunday” hopscotch
CURRENT ENSEMBLES: “+Tatsuya Nakatani Duet” And DUET ensemble with: Bonnie Kane(Saxophone, flute), Loren Dempster(Cello), Etc. QUOTES: “Equal sensitivity to atmospheric elegance and frantic rawness……Detail-oriented explorations of timbre and texture that avoid heavy-handed or gratuitous elements.” “Nakatani’s style is a mixture of silence and pinpoint indications……He provides a buzzing drone, what appears to be the manipulation of tempered glass, microscopic tiny cymbal and triangle pins, and the quivering of temple bells and chains.” “Discussing all that beauty would take more roses than would fill this space" "focussed and resourceful” “infallible intuition" and as "a brilliant percussion improvisor- he is capable of a wide range of sounds and qualities, and is always fully present, neither lagging behind nor rushing ahead. His work dances full of thought with an overall easy clarity and earthy “Nakatani’s sparse punctuation suggests observance of esoteric ritual” Julian Cowley, The Wire “All this hits me like a vibrating temple of metal – a sense of vastness in a small room” “Tatsuya is a creator of great sonic spaces-including silences that are overwhelmingly loud, silences that have a granite-like strength and weight – Bob Falesch, Musician
|